Alice Máselníková
  • about
    • biography
    • statement
    • press
  • portfolio
    • painting
    • drawings
    • performance
    • sculpture >
      • - 2015 partial bodies
      • 2014 the womb
      • 2012 us/flesh
      • 2011 fetus
      • 2011 grimace
    • text >
      • insomnities & other poetry
      • articles and essays
      • the anima, the body and the space: dialogues
  • exhibitions and projects
    • 2018 Elektrozavod, Moscow
    • 2017 Their first time with Tomte
    • 2017 YIA Basel
    • 2017 Red Salt: Big Arty Bang
    • 2017 Artarctica
    • 2016 Hudnära
    • 2015 BCCA mini residency
    • 2015 Wanderers' Tales
    • 2015 SMart Stretch & Active Bread Exchange
    • 2014 Prosthetic Poetry at Cockenzie House
    • 2014 degree show
    • 2014 dainty rogues In porcelain
    • 2014 translations
    • 2013 the undesirable
    • 2013 are we any different
    • 2011 eat my bear
  • curating
    • 2017 chemicalmoonBABY
    • 2017 Decentralised Identity
    • 2017 Campbasel Revisited (guest speaker)
    • 2017 Code /kəʊd/
    • 2016 Per Forma
    • 2016 Hej Hej PALS
    • 2016 Games
    • 2015 Dark Barn
  • contact

IV.

4/5/2017

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I would say that somebody who claims to be a businessman and has no business in this area is not a successful businessman and will be a looser.
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Exactly 1 Dutchman, 1 Frenchman, 1 Englishman, 1 Austrian, 1 Croat from 25 years ago and 1 new Czech, but not quite.
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Best printing trick ever for long winter nights.
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I read all day.
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    From up north

    Short impressions from my one month curatorial stay in Murmansk, Russia in April 2017. It will help my memory. Shielded by Transfer North's Critical Curatorial Writing Residency Award and hosted by Gallery ч9: Glafira Severyanova and Ivan Galuzin.
    https://transfernorth.wordpress.com/

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    April 2017

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